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For October, 2009

Casual Fridays 2

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CasualFridays

My dad and I have had this conversation several times, and it pretty much always goes the same way. 

Me:  “Uncle Zack taught me to ski.”

Dad:  “That’s incredulous (or whichever over the top, barely applicable word he favors at the moment)! I taught you how to ski!”

While it’s true that some overly serious guy with a shitty job (read: ski instructor at Camelback in the Poconos) spent a few hours desperately trying to hold my 6-year-old self’s attention in order to show me how to click into my bindings, but my uncle taught me how to ski.  Or rather, my uncle taught me how to point my skis downhill and how to stop.  Words fail in attempting to describe the transition from: “It’s cold, my feet hurt, and I’m tired of falling down” to, “I wonder how fast I can go on these things”.  However, Richard Strauss’ Also Sprach Zarathustra rings in my ears and I see the “Star-Child returns to Earth” scene from 2001: A Space Odyssey play in my head when I think on it.  Anyone who hung in there long enough knows what I’m talking about. Continue reading this entry »

Soapbox

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soap box

oldcomputerIt’s raining outside, and it’s cold. When I was a kid, an age before internet edits, I’d be really pumped about this cold rain. It meant that winter was on its way, and I’d be blissfully dreaming that the rain on my window was snowflakes up on the hill. My cocoon of ignorance was uninterrupted because dial-up internet was waaaay too slow for live webcams to actually work, and the computer at my parents’ house was always one virus away from going molten.

This brings me to the topic of this week’s Soapbox: THE INTERNET. This mystical web of digital information floating in space is ruining our damn lives. Continue reading this entry »

The Blizzard of Stump Hits Taos

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BlizzardMediumFor most of us, this time of year is more about watching ski flicks and less about actually skiing.  I’m part of that aforementioned ‘most of us’, save an all too brief rendezvous with those infinitely more fortunate.  Amidst all the annual hyperbole of “The new (insert filmer) movie is the greatest ski film of all time”, it’s important to revisit certain bar setting classics of ski cinema.  I had the chance to do just that this past weekend.

When you live in a town as small as Taos, you pounce at every opportunity to do something that doesn’t involve drinking too much coffee and/or eating too much green chile.  With that in mind, I resolved myself to spend a few hours elbow to elbow with turquoise jewelry-clad Texas transplants in a dark auditorium for the Taos Mountain Film Festival. Saturday marked day two of the renowned (read: sarcasm) festival; expectations were low, ticket prices were high.  Imagine then my surprise when I learned that the film to be shown at 6pm was none other than Greg Stump’s 1988 masterpiece Blizzard of Aahhh’s.  As if that weren’t enough, word on the street was that Mr. Stump himself would be introducing the film along with an extended trailer of the highly anticipated, years in the making Legend of Aahhh’s.  Wow.

Now, I hadn’t seen Blizzard in years, and I’m pretty sure my last viewing was on late-night HBO…weird.  Anyway, I remembered very little, save probably Glen Plake’s life-saving back handspring over a wind-bridged crevasse.  I didn’t know then that it was so revered and influential, but after reading roughly 642 interviews with “pros” where it was cited as their bar-none favorite flick, I guess I blindly accepted it’s greatness.  Needless to say, I was psyched and happily coughed up the $12 for a ticket (I do, however, expect to be reimbursed, Jon).

Greg Stump.  Wow.  I didn’t know what to expect in meeting Mr. Stump, but let’s just say that his surname is accurate; almost cruelly so.  Because jokes are always funnier upon explanation, Greg Stump is short.  However, his personality is…uhh…”larger than life” (read: annoying).  I lurked on Mr. Stump while he was doing the whole meet and greet thing and I was simply dumbfounded.  He had a girl at least 20 years his junior on his arm, an expensive—although controversially tailored—suit, and bleached tips.  You would have been forgiven for mistaking him for the drummer of some nameless 80’s hair metal band. 

Andy Dick sighting? Nope, that's Greg Stump.

Andy Dick sighting? Nope, that's Greg Stump.

Frankly, it was weird.

It got weirder when Greg took the stage.

He made a half dozen inappropriate sexual jokes (highlights include: handcuffing his host for the weekend to a banister, his host being face down…as usual, and grabbing his privates on stage) that elicited uncomfortable laughter from the crowd.  He then cued the projectionist to roll the extended trailer for Legend of Aahhh’s, which he was careful to point out would be shown at Sundance…okkkk.  Well, the trailer also elicited uncomfortable (read: courtesy) laughter from the crowd.   Imagine the most horribly unfunny MSP “skit” ever, multiplied by ten, as executed by a bunch of guys in their fifties.  It was painful.  Legend is a ski film retrospective that looks at the earliest ski films (Greg noted that they were made by a female director who’s majority of other films were Nazi propaganda…okkk) all the way up until present day.  He interviewed a bunch of old guys I hadn’t ever heard of like Warren Miller and Dick Barrymore for the movie, ostensibly so they could talk about skiing as a metaphor for life.  The whole thing looked kind of boring, to be honest.

On to the main event. 

Continue reading this entry »

Show and (don’t) Tell

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I’ve noticed a perilous trend in ski movies lately. It’s barely noticeable as the eye is dazzled with backcountry bangers, switch-ups beyond comprehension, and outerwear specifically designed to look confusing on camera. If you listen closely you will notice it, the ubiquitous voice of bro narration. There have always been cheesy voiceovers in ski films, but the whisper has grown to an unavoidable roar as some snow jock over-explains every segment of film. If a rider is trying to do something different, we are told; if some fool battled injury to bring you their banger segment, we ARE told; and rest your ass assured that if Joe Skier decided to take his park tricks to the backcountry this year, we WILL know about it.

We at BroBomb have decided to wage war against “bro narration.” It must be stopped, or at least quieted. So we are going to search the internet for edits (skiing and otherwise) that communicate fun, passion, enjoyment, friendship, and whatever else those dopey voiceovers usually cover – but without ANY narration. You see, we believe in the fine art of cinema, and we believe that a real artist with a camera can SHOW these things, rather than blurt them out through cheap and inorganic monologues.

This week’s edit is “First Snow of the Year” by Ian Welty. It goes above and beyond by not even including a single human being, yet the excitement of a skier watching the first flakes fly is all over it. Enjoy.


If you’ve made (or will make) an edit that meets these criteria, then please send a link to: jon@brobomb.com If anybody decides to buy some ad space on this site and thus provides us with a budget, there might even be a small prize involved eventually (but more likely it’ll just be the satisfaction of getting props from some cool ass dudes!).

Real Deal Review: EDIAS

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edias

There isn’t much to say about Everyday is a Saturday. If you like Poorboyz releases and find that they fulfill what you want in a ski film, then this one will likely fall into the same category. If you tend to find them visually and conceptually overwrought, there’s no growth demonstrated that would change your mind. It’s the same formula, and damn near the same movie they’ve made for years.

Tanner gets the call for narrating duties, and it’s largely what we’ve come to expect from him. There’s the suburban-Rasta patois & clothing with some discussion of “passion” thrown in to assure us that nothing’s changed. Frank Raymond gets about 15 seconds for the absolute best rail footage in the video, and then quickly moves aside for the standard cast of characters. Theory-3 import, Charley Ager, is the only person with lifestyle footage that comes across as remotely affable or relatable. It’s immediately apparent that he’s having fun in the mountains, without any footage of him sitting on a couch and telling us so. Who’d have known you could capture that in a film without a contrived monologue? Finally, Dane Tudor absolutely slays. It’s the kind of skiing that snaps you out of the trance you’ve fallen into and makes you say, “Damn, this dude is too good.” It’s against the rules to end a paragraph with a quotation, so I’ll say that this movie is exactly what you expect it to be. Whatever that is.

Casual Fridays 1

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CasualFridays

A weekly column by Chris Casula (a real dude). 

 I wanted to be a Space Cadet. I didn’t know what the day-to-day responsibilities of a Space Cadet looked like per se, but I was pretty sure that they wore helmets and carried ray guns.  A year or so later, I was drawing pictures of myself in a wetsuit wielding a spear- gun; I wanted to be a Marine Biologist. I knew even less about what they actually did.  At first glance, these two potential career paths appear to be fairly dissimilar.  It’s taken me roughly 15 years—rife with endless soul-searching and self-help books—to understand that I haven’t ever really wanted to do anything other than wear a stylish (albeit functional) outfit while risking my life.  I suppose then that, in retrospect, my next two life-plans weren’t all that surprising.

 A happen chance late night viewing of the 1993 seminal classic Aspen Extreme on HBO changed everything.  From the first slow-mo sequence (of the roughly 476) featuring neon ski apparel, Bob Seger, and double helicopters, I knew that I’d end up in some western ski town where I’d chase around some guarded and jaded woman who wore wool headbands*.  Some of that has come to pass.  What I didn’t know then is that before I got there, I’d end up in some project alley chasing around dope.

   This is the story about how those two things bumped into one another.  This is the story about how each of those two things almost killed me.  But mostly, this is the story of how skiing saved my life.

 

 *NOTE:  This dream was momentarily eclipsed after a happen chance late night viewing of Airborne on HBO

North America’s Opening Day: Loveland

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Our friend Chris Casula went to Loveland for the first opening day on this continent. More photos and story to follow.
Burry and bro, all smiles at Loveland.

Burry and bro, all smiles at Loveland.

Chris: “Hey there, Burry!  What’s it like to be back on snow?”

Burry: ”Actually, I just got back from Argentina.  I was in Hood before that.” 

Chris: ”Fuck you, Burry.”

“Click to continue” for all the pics from opening day at Loveland.

Continue reading this entry »

Real Deal Review: Contrast

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contrast

I remember ski movies before Nimbus Independent’s Idea came out. I know that to think of aesthetics in a ski film was like worrying about global warming at a monster truck rally, a misplaced affectation. There were no videos in “crew” format, and nobody dared upset the accepted ratio of park :  powder : contest footage : urban. It was a really good film in its own right, but compared to what had come before, it’s a classic.

Given their position as a breath of fresh air in the ski industry, I was willing to forgive some of Hunting Yeti’s faults. Sure they felt the need to include quasi-intellectual reflections on style, war, peace, and everything else your favorite college pothead would want to talk to you about. They had to tell us that they’re a crew who finds nirvana in the mountains, and they don’t like the daily grind of other lifestyles. It was repetitive, but they were such a departure from the norm that it made sense for them to hammer the point home with a bit too much force. Continue reading this entry »

We Couldn’t Make This Shit Up

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Jon McMurray is a rapper….and apparently the roof is on fire. What do you think we should do?

“Click to continue” and watch the video for the completely unpredictable answer.

Continue reading this entry »

A Few Words with Andy Parry: Fuel TV & TMZ

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The last time I remember non-contest coverage of skiing on cable TV was a profile of Tanner Hall that consisted primarily of him sitting on a motorcycle and blowing smoke at the camera. “What’s wrong with this nutbag?” was the most common reaction as I remember it.

The footage seems to be lost to the annals of time, so you’ll have to trust me that Traveling Circus would be a far better representation of skiing to the masses. We checked in with Andy Parry to discuss the possibilities of getting TC on Fuel TV.

 

 BB: How did the opportunity to film a pilot for Fuel come about? Did they approach you? Is it something you did on your own?

 Andy: Will and I went to SIA this year with Line and one day Jason and Josh (our boss, and TM) asked us to sit down with Jeff Harper and Gori. They run a production company in Winter Park CO called adrenaline garage, and do some work for Fuel.

  Continue reading this entry »