Since Garrett moved to Telluride, Nimbus probably won’t let him into their chamber of monologues to pontificate on the finer points of style and friendship. This would obviously be a massive loss, so we’ve cleared some space on the internet for Garrett’s ideas on aesthetics, fun, tricks, and style.

I think kids want to know about your approach to selection of terrain. Actually, terrain isn’t the right word, but when watching a Garrett Russell edit it would be hard not to know its you. We all have access to a hundred edits a day, and there’s a lot of sameness, but there’s usually something different about yours. How would you explain your approach that makes it so different?

First of all, thanks man, that’s a great compliment. You’ve got originality and style, and what is style, it’s hard to even explain. I feel that my style of skiing is just creativity and trying to have fun; you know? That’s what it all comes down to, because if you’re not having fun then what’s the point? I used to do a bunch of competitions, but it was just frustrating so I kind of turned my attention away from it and let style create itself and become what it is today.

I’m completely inspired by snowboarding, skateboarding, music, and art. Bruce Lee said, “style is a crystallization.” If you have one style you can’t grow, so I’m constantly trying to intertwine my style with the feelings of the day, the terrain, or the park and just trying to make the best out of it. Life is too short to be salty.

You also do a lot of stuff that requires crazy control of your tips and tails like butters and noseblocks and stuff like that. You still don’t see a ton of guys doing that stuff.

Yeah man, tech mob. In Mammoth, I lived there for six years, and it was sweet because I would watch guys like Pat Bridges, the editor of Snowboard Magazine. I’d be watching him cruise around, and everyone is acting like you have to hit the big jump to work on spins and stuff, but there’d be certain days where I’d just want to do what Pat’s doing. So I’d just fuck around and do noseblocks, and just have fun. Knuckle tricks are really fun, and I just learned a lot by just messing around. The entire tip and tail thing is definitely different now, you can do so much with it and I hope to create new tricks. There’s no names for them, I find ‘em and try them out.

I’m trying to express that you don’t have to do doublecorks and extreme stuff. You can just cruise around and…I don’t know, creativity is hard.

This is going to be a ridiculous question, but what would you say the difference is between what you see when you look at a park and the what the average pro skier sees?

When I look at a park, what do I see? I try to look for stuff that is not there. I try to create something out of what is not there and that’s hard to even explain. I see a jump and I think, “Well, can I do something off that knuckle over to this tranny?” It’s a lot of tranny finding and looking outside the box.

Otherwise…rainbows?