Have we reached the end of the independent super edit? As the wild west of edit releases took over on the internet in the past five years or so, there has always been a few super edits that inspire awe, influence style, and get a shit-ton of views. I’m thinking of Wallisch’s Superunknown a few years back, or the BAD edit from last year. All in all, this year seems a bit quieter.
Is it because edits have been commodified and organized into webisodes (Nipwitz, B&E, Traveling Circus, the Wallisch one I’ve never watched)? Or can we blame those who seek to organize the format like internet television (looking at you Inspired)? Continue reading this entry »








